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Introduction: Dollhouse Lives!

By Jane Espenson

$0.99

from Inside Joss’ Dollhouse

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Description

This is one essay from the anthology Inside Joss’ Dollhouse

Though Joss Whedon’s television show Dollhouse ended in January 2010 after its second season, its small but devoted cult following is still reeling from not only from its mind-blowing plot twists but also its challenging, dystopic look at the ethics of new technology.

Inside Joss’ Dollhouse is a fitting tribute to this complex, engaging show. The anthology’s 18 sometimes funny, always insightful pieces cover Dollhouse from anticipated start to explosive finish. Drawn from an international contest judged by fan favorite Whedon screenwriter Jane Espenson, its essays get right to heart of what Dollhouse viewers loved most about the show.

Espenson also acts as the book’s editor, offering context and extra insight on its topics and the show—a role she played in previous anthologies Finding Serenity and Serenity Found, also on Joss Whedon creations.

From programmer Topher’s amorality to the accuracy of the show’s neurobiology, Inside Joss’ Dollhouse brings Dollhouse back to life with a depth sure to satisfy its many still-mourning fans.

About the Editor

Jane Espenson is a television writer and producer. She has written for shows including Ellen, Gilmore Girls, The O.C, Angel, Firefly, Dollhouse and Caprica among many others. She is the co-creator of Warehouse 13 and is best known for her work on Buffy the Vampire Slayer and Battlestar Galactica.

Contributors

Kate Rennebohm, Kristin Noone, Zalina Alvi, Peter Tupper, Valerie Estelle Frankel, Andrew Zimmerman Jones, Johnathan Mason, Ian G. Klein, Rebecca Levinger, Susan Quilty, Luciana Hiromi Yamada da Silveira, Tami Anderson, Lillian DeRitter, Kirsten Strayer, Christopher Souza, Oluwafemi Morohunfola, Martin Shuster, and Julie Hawk

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About the Author

Jane  Espenson

Jane Espenson

Jane Espenson grew up in Ames, Iowa, where she was introduced to the writings of Jane Austen at an early age by her English lit-major mother. She eventually found herself with a long career as a television writer/producer, but she never gave up the essential love of Austen. She wrote for a number of half-hour comedies, including “Ellen,” then moved on to drama writing, including stints on “The O.C.,” “Gilmore Girls” and a five-year run on “Buffy the Vampire Slayer.” While working at “Buffy,” she was able to write a vampire-themed comic book story in the style of Austen, rekindling her love for that kind of storytelling. She continues in television, working under a development deal with 20th Century Fox television, creating shows of her own and rereading Austen in her spare time. She’s delighted to be included in this collection.

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